30-Oct-2008, 4:52 PM
I finally found room for a breather and what better way to dawdle in it than to take on a point of passion, which is also my point of refuge. Writing is the eye of the storm around me. It calms and soothes me while ironically it also tides over the recharging of creative impulses.
It has been three months since I last wrote in this blog. Much of the reason for my absence of entries is rooted on earning an income. I, like I guess most of us, am godded over by the demand-economics of living. Work for me is a non-issue. I never considered graphic design as work because whatever requirements a client may have, I am but happy and willing to oblige. After all, it is one of my points of passion but only coming in at a very close second to writing. So, I am more inclined to think of graphic design as my income-generating skill and the entailing process as more of creative play than work.
Having said that, this is a snapshot of my schedule for the past week and from hereon in: Syngenta – packaging & brochures; Croma Medic/ Bausch & Lomb/ Santen/ Thea/ Kimia Pharma – various collaterals & creatives; Cathay Pacific – Marco Polo Club Qtr. 4 country update & 2009 table planner; Eventking – Dinos Alive! Manila banners, streamers & photo op standee; Eventking & Smart Communications – Smart Buddy Pacquiao - De La Hoya creatives & collaterals; and a variety of small projects in between.
Lately, I have been fascinated by oriental iconography. This is due in part to one of my favorite Korean dramas, The Great King Sejong, on KBS World (check their website for local schedule listings). I’m so caught by the Korean Hallyu (Wave). So, inspired by the traditional art of the Joseon dynasty, I rendered illustrations of stylized clouds and waves that I applied as textural background on the design studies I made for Cathay Pacific’s 2009 table planner.
Stylized oriental clouds graphic illustration by Kyn H. Firmalino © 2008.
Stylized oriental waves graphic illustration by Kyn H. Firmalino © 2008.
Which reminds me, Ms. Anna and Ms. Lynette, I’m working on the artworks & layout and I’ll be sending them to you for review shortly.
And now, it’s nearly time for me to return to the drawing board. In the meantime, I leave you Foals and Pizzicato Five (P5). They are on continuous shuffle in my computer’s player at the moment and they keep me good company. Olympic Airways is from the Foals’ debut album, Antidotes. This freshman album of the Brit lads from Oxford was released just this March.
Olympic Airways - Foals
On the other hand, P5 has been in the Shibuya sugar-pop scene since the early 1990s. The track here, called Baby Love Child, was released in 1994. Both are part of my soundtracks to life. Take a listen and you’ll understand why.
Baby Love Child - Pizzicato Five
P.S.: Thanks to the great writer from Stratford-upon-Avon for coining “godded” hence entering the term in our literary lexicon. Regarding “Writing on Furlough Redux (once more),” I was planning to place a scan of Turkish Afterthoughts in here but I have lost my copy. I have yet to go to the journals & serials archive section of the National Library along T. M. Kalaw to get me another copy. Yes, I know, imagine the thought of trudging to a dingy mezzanine on the 3rd or 4th floor and searching hardbound yet threadbare serials on rickety shelves while barely-concerned, barely-there librarians chatter away. I love it! For all its state of disrepair, you’ve got to hand it to our National Library. It’s got character. This sentiment is selfish, and I digress a bit, but I hope that place doesn’t change. So, I’ll write the entry for the “Redux 2” as soon as I have the copy in hand. Happy returns to all and live well. Now, scoot back to your drawing boards!